Archive for the ‘War of the Worlds’ Category

70 years ago Orson Welles’s THE WAR OF THE WORLDS radio show panicked America – By Ray Kelly

Monday, October 27th, 2008

Here is Wellesnet member Ray Kelly’s article recalling The War of the Worlds radio broadcast, from the Springfield, Mass. Republican. There are additional pictures and sound clips at this link:

http://www.masslive.com/news/index.ssf/2008/10/70_years_ago_war_of_the_worlds.html

To introduce Ray’s piece, here is Welles’s famous closing speech from the broadcast:

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ORSON WELLES: This is Orson Welles, ladies and gentlemen, out of character to assure you that “The War of The Worlds” has no further significance than as the holiday offering it was intended to be. The Mercury Theatre’s own radio version of dressing up in a sheet and jumping out of a bush and saying Boo! Starting now, we couldn’t soap all your windows and steal all your garden gates by tomorrow night …so we did the best next thing. We annihiliated the world before your very ears, and utterly destroyed the Columbia Broadcasting System. You will be relieved, I hope, to learn that we didn’t mean it, and that both institutions are still open for business. So goodbye everybody, and remember the terrible lesson you learned tonight. That grinning, glowing, globular invader of your living room is an inhabitant of the pumpkin patch, and if your doorbell rings and nobody’s there, that was no Martian …it’s Halloween!

ANNOUNCER: Tonight the Columbia Broadcasting System and its affiliated stations coast-to-coast have brought you “The War of the Worlds,” by H.G. Wells, the seventeenth in its weekly series of dramatic broadcasts featuring Orson Welles and the Mercury Theatre on the Air. Next week we present a dramatization of three famous short stories. This is the Columbia Broadcasting System.

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WAR OF THE WORLDS EFFECT LINGERS

By RAY KELLY

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On Halloween eve 1938, the monsters arrived early.

An Agawam woman collapsed after hearing a radio report that marauding Martians had landed in Grover’s Mill, N.J., and were advancing on New York City.

Switchboards at newspapers and police stations buzzed from Springfield to San Francisco with calls from panicked listeners who feared incineration from the Martian death rays.

One Massachusetts man scraped together $3.25 for a railway ticket – only to learn 60 miles later that he and thousands of others had been duped by a CBS radio dramatization of H. G. Wells’s science fiction novel, “War of the Worlds.”

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Celebrating the 70th Anniversary of Orson Welles’s panic radio broadcast THE WAR OF THE WORLDS

Sunday, October 26th, 2008

October 30th, 2008 marks the 70th Anniversary of Orson Welles famed CBS radio broadcast of The War of the Worlds, and to celebrate, Wellesnet will be reprinting or providing links to some of the best of the anniversary articles that will be appearing around the nation and world this week.

However, to begin our coverage, let’s start with the opening scene from Howard Koch’s radio play, along with the cast and credits for the show, followed by Orson Welles own memories on the hysteria the show caused, taken from his his 1955 British TV show, Orson Welles Sketchbook.

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Orson Welles and The Mercury Theater On The Air
present

H. G. WELLS THE WAR OF THE WORLDS

Sunday October 30, 1938 – 8:00 to 9:00 p.m.

CBS Radio Network. Produced & directed by Orson Welles. Adapted for radio by Howard Koch, Paul Stewart and John Houseman. Associate producer: Paul Stewart. CBS production supervisor: Davidson Taylor. Music by Bernard Herrmann. Sound effects: Ora Nichols, Ray Kremer and Jim Rogan. Sound engineer: John Dietz. Announcer: Dan Seymour.

The Cast

Professor Richard Pierson – ORSON WELLES
Studio announcer – PAUL STEWART
Reporter Carl Phillips – FRANK READICK
Second studio announcer – CARL FRANK
Farmer Wilmuth – RAY COLLINS
Policeman at farm – KENNY DELMAR
Meridian room announcer – WILLIAM ALLAND
Harry McDonald, radio VP – RAY COLLINS
Brig. General Montgomery – RICHARD WILSON
Captain Lansing – KENNY DELMAR
Third Studio Announcer – PAUL STEWART
Secretary of the Interior – KENNY DELMAR
Rooftop radio announcer – RAY COLLINS
Officer 22nd Field Artillery – RICHARD WILSON
Field artillery gunner – WILLIAM ALLAND
Field artillery observer – STEFAN SCHNABEL
Bomber Lt. Voght – HOWARD SMITH
Bayonne radio operator – KENNY DELMAR
Langham Field – RICHARD WILSON
Newark radio operator – WILLIAM HERZ
Radio operator 2X2L – FRANK READICK
Radio operator 8X3R – WILLIAM HERZ
Fascist stranger – CARL FRANK

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ANNOUNCER: The Columbia Broadcasting System and it’s affiliated stations present Orson Welles and the Mercury Theatre on the Air in a radio play by Howard Koch suggested by the H.G. Wells Novel “The War of the Worlds.”

ANNOUNCER: Ladies and gentlemen: the director of the Mercury Theater and star of these broadcasts, Orson Welles…

ORSON WELLES: We know now that in the early years of the twentieth century this world was being watched closely by intelligences greater than man’s and yet as mortal as his own. We know now that as human beings busied themselves about their various concerns they were scrutinized and studied, perhaps almost as narrowly as a man with a microscope might scrutinize the transient creatures that swarm and multiply in a drop of water. With infinite complacence people went to and fro over the earth about their little affairs, serene in the assurance of their dominion over this small spinning fragment of solar driftwood which by chance or design man has inherited out of the dark mystery of Time and Space. Yet across an immense ethereal gulf, minds that are to our minds as ours are to the beasts in the jungle, intellects vast, cool and unsympathetic, regarded this earth with envious eyes and slowly and surely drew their plans against us. In the thirty-ninth year of the twentieth century came the great disillusionment.

It was near the end of October. Business was better. The war scare was over. More men were back at work. Sales were picking up. On this particular evening, October 30, the Crossley service estimated that thirty-two million people were listening in on radios.

ANNOUNCER: …for the next twenty-four hours not much change in temperature. A slight atmospheric disturbance of undetermined origin is reported over Nova Scotia, causing a low pressure area to move down rather rapidly over the northeastern states, bringing a forecast of rain, accompanied by winds of light gale force. Maximum temperature 66; minimum 48. This weather report comes to you from the Government Weather Bureau… We now take you to the Meridian Room in the Hotel Park Plaza in downtown New York, where you will be entertained by the music of Ramon Raquello and his orchestra.

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“War of the Worlds” Investigated

Friday, February 15th, 2008

Public radio station KQED in California is presenting a radio show looking at the history of the infamous “War of the Worlds” episode of The Mercury Theater on the Air. The show will be presented twice, once tomorrow (2/16) at 1 PM, and on 2/20 at 8 PM (these are Pacific times, by the way). You can listen to them on their site, so check it out.

WHO’S OUT THERE – Orson Welles narrates a NASA show on intelligent life in the Universe

Sunday, February 10th, 2008

The difference between the spacecrafts of NASA and the lurid flying sorceries of that old radio show War of the Worlds  is the difference between science and science fiction, and yes, War and Peace.

It’s our own world that has turned out to be the interplanetary visitor. We are the ones who are moving, out there – not with death rays, but with cameras. Not to conqueror, but simply to learn. We are in fact, behaving ourselves, far better out there, than we ever have back home on our own planet.

—Orson Welles in WHO’S OUT THERE

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http://video.google.com/videoplay?docid=-6292577234133732501

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Here’s another fascinating Orson Welles piece, a half hour  film shot by Gary Graver for NASA and producer Robert Drew in 1975, two years after Republican President Richard Nixon had the IRS audit Welles’ income taxes and then resigned in disgrace after failing to pay his own taxes!

Exactly where this film was shown is something of a mystery, as it seems to have fallen off the radar in most of Welles filmography listings.  However, it is certainly a fascinating piece, featuring as it does, Welles expounding details about his War of the Worlds radio broadcast, nearly 40 years later, as well as Welles talking about the possibilities of life on other planets in the Universe.  There is no end credit for any writers, but it seems likely that Welles added his own touches to his narration, especially when it came to talking about his  own adventures during his 1938 broadcast of War of the Worlds.

Orson Welles WAR OF THE WORLDS script inspired Steven Spielberg’s movie

Saturday, November 4th, 2006

On June 2, 1994 Christie’s East in New York auctioned off a copy of Orson Welles original director’s script for his famed radio broadcast of “The War of the Worlds.”  What I found interesting is that Steven Spielberg was the winning bidder for Welles script, adding it to his other collection of high-priced Orson Welles memorabilia, including, in what Welles considered a delicious irony, a FAKE copy of the Rosebud sled, which Spielberg had paid $60,000 to own.

I don’t know the final cost Spielberg paid for the “War of the Worlds” radio script, but it was given a high pre-sale estimate by Christie’s of  $20,000.  
 
Buying Welles copy of the script was also Spielberg’s impetus for making his own movie version of War of the Worlds in 2005. While doing interviews to promote his movie, Spielberg told Hotdog magazine: “If I could have, I would have begun this movie 12 years ago. I had bought at an auction the last surviving War Of The Worlds radio script and it was amazing, I guess you could say it was a distillation of the novel. I said, ‘Oh man, this would make an amazing movie.’ Then, when Independence Day came out I said, ‘Well, maybe I won’t make it,’ because they kind of picked the bones off that and it put me off for a while. Then I got interested in it again just in the course of trying to find something to do with Tom Cruise.  
 
Interestingly enough, Spielberg’s own finished film bears very little resemblance to the original Welles radio script, even though Spielberg says he thought it would make an amazing movie. But he apparently did want his film version to inspire the same kind of reaction from movie watchers that Welles’ radio broadcast had gotten from radio listeners. 

Spielberg told the British magazine Empire, “If my movie is effective on audiences, hopefully they’ll be looking all around the theatre for somewhere to hide! That would be my tribute to Orson Welles—if I was ever that lucky.” 
 
Here is the original Christie’s catalogue description of Welles copy of the script:

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