Back in March of 1967, when Falstaff was first released in New York, it was a time of great social upheaval in America. Protests against the war in Viet Nam were about to reach critical mass. LSD made the cover of Life Magazine. Hippies and flower children were preparing for the “Summer of Love” in … Continue reading Andrew Sarris vs. The New York Times: a defense of Orson Welles’s FALSTAFF