Deflating myths about Orson Welles
Even a contemporary director with as fine and as comprehensive an understanding of film-making as David Fincher, is still subject to the same myths about Orson Welles.
Even a contemporary director with as fine and as comprehensive an understanding of film-making as David Fincher, is still subject to the same myths about Orson Welles.
Film historian Joseph McBride, who penned “Rough Sledding with Pauline Kael” in 1971, graciously offered to revisit the authorship of Citizen Kane for Wellesnet after screening David Fincher’s new Netflix movie Mank — the latest in a string of unflattering film portrayals of Orson Welles.
Documentarian Mark Cousins looked into The Eyes of Orson Welles, now psychoanalyst/psychotherapist Jack Schwartz has published a paper on what could be called “the mind of Orson Welles.”
Welles once noted of his self-destructive screenwriting partner: “Mank always needed a villain.” The same can be said of the movie that bears his nickname.
“At Orson’s Fireplace” is an English translation of an article that will appear in the Italian film magazine Cabiria No. 196-197.
Harlan Lebo, author of “Citizen Kane: A Filmmaker’s Journey,” has unveiled his painstaking research into the hundreds of differences between the landmark movie’s final script and what ended up on the screen.
Part of the Dupont Company films and commercials collection, A Gift of Harvest was filmed throughout 1978-79 and released in 1981.
Daron Hagen’s filmed opera, “Orson Rehearsed,” has been playing at movie festivals around the world and has won laurels.
Veteran critic Todd McCarthy says Welles will “have to suffer a few more slings and arrows flung by those who will automatically buy into the view that he had nothing to do with the writing of ‘Citizen Kane’.”
With the 82nd anniversary of the infamous radio broadcast fast approaching, here are 10 online links worth checking out.
Noted author Harlan Lebo has provided Orson Welles fans with something special as the 80th anniversary of “Citizen Kane” nears — a new transcript of the landmark film.
Network, which released the DVD “Orson Welles Great Mysteries Volume 1” in the United Kingdom last year, will release the second and final volume on October 26. Produced by Anglia Television, the 25-minute long episodes were originally broadcast by Britain’s ITV between September 1973 and February 1974. Thirteen episodes were featured on the first volume and the remaining 13 shows are contained on Volume 2.
In an interview with The Film Stage to promote “Hopper/Welles,” Filip Jan Rymsza and editor Bob Murawski spoke about their support for a physical media release.
The eight-day film festival, set for October 15-22, is based out of Los Angeles, though it will be held virtually this year because of the pandemic.
Welles scholar Joseph McBride writes, “Kudos to all involved in ‘Hopper/Welles’ for giving us more bounty from the director’s seemingly endless closet of unfinished material. “
The 58th edition of the New York Film Festival will present a series of free online chats with filmmakers later this month, including a talk featuring the team behind Hopper/Welles. On Tuesday, September 29, at 2 p.m., NYFF58 will offer an online talk focusing on two festival offerings: Hopper/Welles and Raul Ruiz’ The Tango of […]
Spanish screenwriter Agustín Sánchez Vidal has just published Quijote Welles, a novel which delves into Orson Welles’ love of both Spain and the Cervante’s character Don Quixote. The 668-page novel utilizes interviews, diaries, confessions and even fragments of the Don Quixote script. Vidal, a professor of Film History at the University of Zaragoza, is the […]
By RAY KELLY Should Hopper/Welles be considered an Orson Welles film? The documentary, which premiered this week at the Venice International Film Festival and will be streamed at the upcoming the New York Film Festival, is not in the final form Welles intended. Rather, it is a fragment of a project that never developed beyond […]
By MASSIMILIANO STUDER It’s important that producer Filip Jan Rymsza find a distributor for this gem that has emerged from the film vault of The Other Side of the Wind; allowing Italian cinephiles to see and understand the New Hollywood environment of 1970 — a documentary that Ciro Giorgini would certainly have done everything to […]
By RAY KELLY After laboring nine years to bring The Other Side of the Wind to the screen, it’s understandable that producer Filip Jan Rymsza was not looking to embark on another Orson Welles project. But time and a nudge from a friend led to Hopper/Welles, which will have its world premiere next week during […]