Given the ongoing controversy over how Touch of Evil should be exhibited – at 1.85 or 1.33 – here are Orson Welles own thoughts about filming in CinemaScope, VistaVision and other wide screen film processes, as published in the 1958 International Film Annual, No. 2 edited by William Whitebait. Strangely enough, the book was published … Continue reading Orson Welles on the use of Wide Screen processes