But perhaps most provocatively, the article for the first time laid bare one of the major contradictions in the film: The dying Kane mutters the immortal line “Rosebud” to an empty room.
Until Kael’s piece, no one had noted that the movie’s central plot point — reporter Jedediah Leland’s search to discover what the newspaper baron’s dying phrase meant — is founded on an impossibility, since no one was around to take record of the fateful utterance.
Thomson was the reporter, not Jedediah Leland.
Suber's statement that it "felt like rape" seems pretty absurd too. Someone on Facebook described the $375 paid to Suber as a "paltry sum". Maybe it might seem so today, but back in 1971, $375 would have been a lot more.
