Orson Welles and Jim Thompson - Another aborted project

Welles films that only reached the planning or script stage, for which little or no filming was done
The Night Man
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Postby The Night Man » Fri Aug 19, 2005 2:57 am

Thompson was the author of (among many others) the novels "Pop. 1280", "The Killer Inside Me", "A Hell of a Woman", "The Getaway", "The Grifters", "After Dark, My Sweet", and "The Kill-Off". For those who are not familiar with his work, he was the hardest of the hard-boiled pulp writers. His best work was relentlessly tough and unsentimental and usually a sour, surreal reflection of the American Dream. It was also eminently readable.

I just found this in "Savage Art: A Biography of Jim Thompson":

Over the summer [of 1976], a young Hollywood cameraman reached Thompson at the Hillcrest apartment about a movie he wished to co-write with Orson Welles. "I stumbled across 'The Killer Inside Me', looking for a good story," Gary Graver relates, "but when I contacted the publisher, I found out that the picture had already been made. I got Thompson's address - he was living in a building a friend of mine owned back of Grauman's Chinese Theatre, an old Raymond Chandler kind of place."

Graver phoned Alberta [Thompson's wife] and she invited him over. "Jim was very weak from his stroke, but they gave me a whole bunch of books, which I xeroxed," says Graver. He conveyed the photocopies back to Welles.

"Orson and I split up the books - he read half, and I read half, then we switched. First, I wanted to do 'Pop. 1280', but Orson figured it would be way too expensive, with the black shanty-town burning. So we both agreed that 'A Hell of a Woman' would be the one.

I optioned it for $2000 a year, and Orson and I set out to write the screenplay. Orson had me go down to the butcher shop and get a roll of paper. I was at his house, and we rolled it out and hung it up on all four walls. From there we wrote down what happened in each chapter - some things we were going to leave out, some things we were going to keep in, and some things we mixed around. Then we wrote the screenplay together.

I changed the title to THE DEAD GIVEAWAY, which I thought was more commercial and simpler, and because it was about a guy going door to door giving gifts away, and there were so many murders. I announced in Variety that I was going to direct the picture with my friend Bud Cort as Dolly Dillon. Orson was going to play Staples, the manager of the store. And I talked to Jocelyn Brando, Marlon's sister, about playing the aunt."

THE DEAD GIVEAWAY joined the scrapheap of lost Welles, and lost Thompson films.


Has anyone ever actually seen this screenplay?

Gus Moreno
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Postby Gus Moreno » Fri Aug 19, 2005 12:26 pm

I've never seen the Welles/Graver screenplay, but "A Hell of a Woman" is a kick-ass book, although pretty gruesome in spots. It could have made a good film.


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