Walter Kerr on “Wonder Boy” Orson Welles

A few months ago I found several old issues of Theatre Arts magazine in the tenderloin district of San Francisco, a few short blocks from where Wellesnet “legend” Glenn Anders lives. The mags were priced at a big 100% mark-up over their original price. Well, since the original price was only .50 cents, they were […]

Richard Wright’s play NATIVE SON, first staged by Orson Welles, is revived at the American Century Theater

Kudos to Jack Marshall, the artistic director of The American Century Theater for bringing yet a third Orson Welles production back to the boards, after previously reviving Welles’s Moby Dick-Rehearshed (twice!) and Marc Blizstein’s The Cradle Will Rock. Since The American Century Theater concentrates on 20th Century American playwrights, it is too bad that precludes […]

The legacy Orson Welles leaves to Woodstock, Illinois

Having heard from several concerned citizens in Woodstock, Illinois, who have expressed their concern about the proposed demolition of Grace Hall, I thought I’d try to bolster their case before the city council by highlighting some of the remarkable achievements Orson Welles made in Woodstock. To begin, here is an overview of Welles relationship with […]

JAY TILLEY as ORSON WELLES in the Zemfira Stage Production of Marcus Wolland’s LOST EDEN

Earlier this month, the Zemfira Stage company presented the East Coast premiere of Marcus Wolland’s Lost Eden: The Magnificent Welles, featuring critically-acclaimed Potomac region actor Jay Tilley as the legendary Orson Welles. Wellesnet correspondent Leslie Weisman took in the play and interviewed actor Jay Tilley.  Here is some background on the production, followed by Leslie Weisman’s interview with […]

Orson Welles’s MOBY DICK-REHEARSED now playing in New York

Theater�director Marc Silberschatz had the wonderful idea to stage a revival of Orson Welles MOBY DICK-REHEARSED, which was never staged by Welles in New York City,�despite it being his own favorite theatrical production.� Welles original production was presented in London for about three weeks, opening on June 15,�1955.�By�all accounts the play was a sensation, and […]

Voodoo Macbeth at Brighton Photo Biennial

If you’re in the UK, you may wish to venture to East Sussex to see Voodoo Macbeth, an exhibition at this year’s Brighton Photo Biennial, a festival dedicated to photography. As the web site summary describes it: “Orson Welles’ African-American theatre production of Macbeth forms the basis of a major exhibition, Voodoo Macbeth, at the […]

Another New Welles Play in St. Louis

My hometown of St. Louis sees another Welles play being mounted; this one is called The Probe: an Inquiry Into the Meteoric Rise and Spectacular Fall of Orson Welles in Hollywood. “Conceived and created by Chuck Harper,” as the home page states, it uses pre-existing material to look at Welles’ career. This article features a brief […]

Review: ‘Obediently Yours, Orson Welles’ in Paris

  (Editor’s note: Leslie Weisman has graciously sent along this report on the Paris production of Richard France’s  play,  which has captivated theatergoers across Europe, but apparently, as with most Welles projects, it has yet to find backers for a U. S. production). By LESLIE WEISMAN Earlier this month I had the great pleasure of […]

Callow Welles Radio Play Sees Re-broadcast

As noted on the message board, Simon Callow’s adaptation of Micheal MacLiammoir’s memoir Put Money In Thy Purse is being given a re-broadcast this Saturday on BBC5 radio. The play will be available for listening for the week following, so you have plenty of time to catch it. On a site note: does anyone know […]