Davies, Anthony.

Filming Shakespeare's Plays: The Adaptations of Laurence Olivier, Orson Welles, Peter Brook, and Akira Kurosawa. Cambridge, New York: Cambridge University Press, 1988.

Denning, Michael.

The Cultural Front. Verso, 1997. Contains a lengthy chapter on Welles, his work, and its political alignment with the Cultural Front.

Drazin, Charles.

In Search of The Third Man. Methuen, 1999. (UK edition pictured). US edition, Da Capo, 2000.

Feder, Chris Welles.

The Movie Director. Privately published, 2002.

Gordon, Eric.

Mark the Music: The Life & Work of Marc Blitzstein. St. Martin's Press, 1989.

Houseman, John.

Run-Through. Simon & Schuster, 1972. This is out of print, but portions of the book are re-printed in the still available Unfinished Business, which condenses Houseman's collected memoirs into one book.

Rosenbaum, Jonathan.

Movies as Politics. Cailfornia UP, 1997. Contains the article “The Seven Arkadins.”

Rosenbaum, Jonathan.

Movie Wars. A Capella, 2000. Contains the article “Orson Welles as Ideological Challenge.”

Rosenbaum, Jonathan.

Placing Movies. California UP, 1995. Contains the articles “Othello Goes Hollywood,” and “Orson Welles’s Essay Films and Documentary Fictions: A Two-Part Speculation.”

Singer, Irving.

Three Philosophical Filmmakers: Hitchcock, Welles, Renoir. MIT Press, 2004.

Smith, Grahame.

Dickens and the Dream of Cinema. Manchester UP, 2003. Contains section "A Dream Epilogue: Charles Dickens and Orson Welles."

White, Rob.

The Third Man. BFI Film Classics Series. bfi Publishing, 2003.