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<oembed><version>1.0</version><provider_name>Wellesnet | Orson Welles Web Resource</provider_name><provider_url>https://www.wellesnet.com</provider_url><author_name>wellesnet</author_name><author_url>https://www.wellesnet.com/author/wellesnet/</author_url><title>JEAN RENOIR and ORSON WELLES: bad previews at RKO</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content"&gt;&lt;a href="https://www.wellesnet.com/jean-renoir-and-orson-welles-bad-previews-at-rko/"&gt;JEAN RENOIR and ORSON WELLES: bad previews at RKO&lt;/a&gt;&lt;/blockquote&gt;
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&lt;/script&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://www.wellesnet.com/jean-renoir-and-orson-welles-bad-previews-at-rko/embed/" width="600" height="338" title="&#x201C;JEAN RENOIR and ORSON WELLES: bad previews at RKO&#x201D; &#x2014; Wellesnet | Orson Welles Web Resource" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;</html><description>Coming across an interview with Jean Renoir from the Summer, 1954 issue of Sight and Sound, I was astonished to read that Renoir had only the highest praise for RKO executive Charles Koerner, who after all was the man that fired Orson Welles from RKO after the double fiasco of The Magnificent Ambersons and It&#x2019;s [&hellip;]</description></oembed>
