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<oembed><version>1.0</version><provider_name>Wellesnet | Orson Welles Web Resource</provider_name><provider_url>https://www.wellesnet.com</provider_url><author_name>wellesnet</author_name><author_url>https://www.wellesnet.com/author/wellesnet/</author_url><title>John Gielgud on Orson Welles and making CHIMES AT MIDNIGHT</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content"&gt;&lt;a href="https://www.wellesnet.com/john-gielgud-on-orson-welles-and-making-chimes-at-midnight/"&gt;John Gielgud on Orson Welles and making CHIMES AT MIDNIGHT&lt;/a&gt;&lt;/blockquote&gt;
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&lt;/script&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://www.wellesnet.com/john-gielgud-on-orson-welles-and-making-chimes-at-midnight/embed/" width="600" height="338" title="&#x201C;John Gielgud on Orson Welles and making CHIMES AT MIDNIGHT&#x201D; &#x2014; Wellesnet | Orson Welles Web Resource" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;</html><description>In these excerpts from Sir John Gielgud&#x2019;s wonderful book, A Life in Letters, which covers his entire career from 1930 to 1999, we get to see how his view of Orson Welles changed, starting from when he first saw Citizen Kane in 1941, to his being somewhat put off by Welles&#x2019;s antics at their first [&hellip;]</description></oembed>
