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<oembed><version>1.0</version><provider_name>Wellesnet | Orson Welles Web Resource</provider_name><provider_url>https://www.wellesnet.com</provider_url><author_name>wellesnet</author_name><author_url>https://www.wellesnet.com/author/wellesnet/</author_url><title>ORSON WELLES writing about Marion Davies</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content"&gt;&lt;a href="https://www.wellesnet.com/orson-welles-on-marion-davies/"&gt;ORSON WELLES writing about Marion Davies&lt;/a&gt;&lt;/blockquote&gt;
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&lt;/script&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://www.wellesnet.com/orson-welles-on-marion-davies/embed/" width="600" height="338" title="&#x201C;ORSON WELLES writing about Marion Davies&#x201D; &#x2014; Wellesnet | Orson Welles Web Resource" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;</html><description>Shortly after receiving the AFI&#x2019;s Life Acheivement award in 1975, Orson Welles was asked to contribute a foreword to Marion Davies oral history, The Times We Had. In his foreword, Welles reflects on what people assumed where some of the Hearst like elements in Citizen Kane, and purports that only one scene in Kane &#x201C;was [&hellip;]</description></oembed>
