<?xml version="1.0"?>
<oembed><version>1.0</version><provider_name>Wellesnet | Orson Welles Web Resource</provider_name><provider_url>https://www.wellesnet.com</provider_url><author_name>wellesnet</author_name><author_url>https://www.wellesnet.com/author/wellesnet/</author_url><title>Rich Little on working with Orson Welles on THE OTHER SIDE OF THE WIND</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content"&gt;&lt;a href="https://www.wellesnet.com/rich-little-on-working-with-orson-welles-on-the-other-side-of-the-wind/"&gt;Rich Little on working with Orson Welles on THE OTHER SIDE OF THE WIND&lt;/a&gt;&lt;/blockquote&gt;
&lt;script type='text/javascript'&gt;
&lt;!--//--&gt;&lt;![CDATA[//&gt;&lt;!--
		/*! This file is auto-generated */
		!function(c,d){"use strict";var e=!1,n=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},!c.wp.receiveEmbedMessage)if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(t)if(t.secret||t.message||t.value)if(!/[^a-zA-Z0-9]/.test(t.secret)){for(var r,a,i,s=d.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),n=d.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),o=0;o&lt;n.length;o++)n[o].style.display="none";for(o=0;o&lt;s.length;o++)if(r=s[o],e.source===r.contentWindow){if(r.removeAttribute("style"),"height"===t.message){if(1e3&lt;(i=parseInt(t.value,10)))i=1e3;else if(~~i&lt;200)i=200;r.height=i}if("link"===t.message)if(a=d.createElement("a"),i=d.createElement("a"),a.href=r.getAttribute("src"),i.href=t.value,i.host===a.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener("message",c.wp.receiveEmbedMessage,!1),d.addEventListener("DOMContentLoaded",t,!1),c.addEventListener("load",t,!1);function t(){if(!n){n=!0;for(var e,t,r=-1!==navigator.appVersion.indexOf("MSIE 10"),a=!!navigator.userAgent.match(/Trident.*rv:11\./),i=d.querySelectorAll("iframe.wp-embedded-content"),s=0;s&lt;i.length;s++){if(!(e=i[s]).getAttribute("data-secret"))t=Math.random().toString(36).substr(2,10),e.src+="#?secret="+t,e.setAttribute("data-secret",t);if(r||a)(t=e.cloneNode(!0)).removeAttribute("security"),e.parentNode.replaceChild(t,e)}}}}(window,document);
//--&gt;&lt;!]]&gt;
&lt;/script&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://www.wellesnet.com/rich-little-on-working-with-orson-welles-on-the-other-side-of-the-wind/embed/" width="600" height="338" title="&#x201C;Rich Little on working with Orson Welles on THE OTHER SIDE OF THE WIND&#x201D; &#x2014; Wellesnet | Orson Welles Web Resource" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;</html><description>Rich Little recently sent Wellesnet a scan of a charcoal portrait he drew of Orson Welles that can be purchased at his website Here. Rich Little worked with Welles on the still unfinished The Other Side of the Wind, before he left the production and was replaced by Peter Bogdanovich.&#xA0; Here are some of Rich [&hellip;]</description></oembed>
